This event marks the launching of a newly started project at the OCHS called "Bengali Vaishnavism in the Modern Period", which undertakes the mapping, collection, translation and investigation of literature and other relevant material related to or dealing with the modern development of Caitanya Vaisnavism in Bengal from the late 18th century to the present. The presentation addresses in particular the migration of the Bhagavata Purana - one of the core theological text of Vaishnavism/Hinduism in India - as a sacred text to the West during the 19th and 20th century.
A potter gently shapes a lump of clay upon his wheel. A carpenter hews and joins measured pieces of wood. Creation, we see, is often a process of reasoned thought and careful construction. And yet, just as often, creation arises in far more unpredictable circumstances—from chaos, transgression, and failure. This lectures series will examine the interplay of creation and chaos in narratives of the Bhagavata Purana.
A potter gently shapes a lump of clay upon his wheel. A carpenter hews and joins measured pieces of wood. Creation, we see, is often a process of reasoned thought and careful construction. And yet, just as often, creation arises in far more unpredictable circumstances—from chaos, transgression, and failure. This lectures series will examine the interplay of creation and chaos in narratives of the Bhagavata Purana.
In these seminars, we will read sections of the Bhagavata Purana that are relevant to the theme of the Shivdasani lectures – creation and chaos. We will focus on the account of Jaya and Vijaya’s fall from Vaikuntha, paying special attention to issues of translation as well as theological concerns raised by commentators.
In these seminars, we will read sections of the Bhagavata Purana that are relevant to the theme of the Shivdasani lectures – creation and chaos. We will focus on the account of Jaya and Vijaya’s fall from Vaikuntha, paying special attention to issues of translation as well as theological concerns raised by commentators.
This narrowly focused essay proposes to compare the Islamic god Allah as depicted in the Qur’an with the Hindu deity Krishna in the Bhagavata Purana. This paper concentrates on how these two respective texts define the two deities. More precisely, this essay focuses on such issues as transcendence and immanence, creative power and play, obedience and love, and the relationship between God and humans.
Among Puranic literature, the Bhagavata Purana has been most influential, both in intellectual circles and in popular Hinduism. The Bhagavata offers a unique form of yoga that is indebted to earlier texts, such as the Mahabharata and Patañjali’s Yoga-sutra, but is nevertheless distinct from them in an important way—the Bhagavata blends its characteristic emotional bhakti with the otherwise staid practice of yoga. This paper argues that the shift from the normative bhakti of the Mahabharata to the emotional bhakti of the Bhagavata is made possible primarily through the concept of yoga-maya.
